KYNANCE COVE SUNSET
Kynance Cove is one of the most instantly recognisable locations in not just Cornwall but the UK too, famed for its picture-perfect aesthetics that have long captured hearts and minds and I wanted to get this across in Kynance Cove Sunset.. With emerald-topped islands soaring from turquoise seas, its somewhere that exudes raw natural beauty and is a natural magnet for photographers. For me, I particularly wanted to capture Kynance Cove at sunset as I felt that my previous attempts to capture the bay in all its glory hadn’t completely hit the mark. This time, I ventured over with renewed determination and managed to capture a beautiful sunset just before the sun disappeared for the day.
As the sun was setting over land, time was very much of the essence as I set up my camera and prepared a series of shots. Fortunately, the sun was still visible, sandwiched between banks of clouds and the land, which created lovely colouration across the sky and caused defiant beams of light to fracture and streak the horizon. To portray the smooth, dreamy quality of the sea, I used a neutral density filter which created this beautifully silky effect across the water, reflecting the sunset tones from deep blue to aquamarine to a warm yellow. The jagged cliffs of the foreground, still illuminated in the last moments of daylight, also provide a striking contrast to the mellow sea and add extra depth and scale to the scene.
Additional Images
Certificate of Authenticity
Kynance Cove Sunset is a fine art landscape photograph with a limited run of 100 prints.
A Certificate of Authenticity will be supplied with every print after it has passed the Tide & Land quality check, numbered and signed.
Tide & Land photography prints are not massed produced, but are hand made to order, guaranteeing the best quality with every print.
Further Information
+ PRINTING
Each of my images is printed using an Epson SureColor SC-P800 Printer. This printer is designed to produce high quality professional prints using UltraChrome HD ink that gives a true-to-life finish. Shadows are notably crisp against the vibrancy of the colour palettes across all size ranges of my photography.
+ PAPER
I print my images on Innova Resin Coated Photo Metallic Gloss paper which works extremely well on the Epson SureColor SC-P800 Printer. This 260gsm photo paper has a natural white base tone that contains metallic pigments in its microporous coating. Not only does it provide a high gloss finish, the pigments offer an extra dimension of subtle colour shifts under changing light conditions, and is suitable for colour and greyscale prints.
+ MOUNTBOARDS
I use white mountboards with my photographs. Bainbridge Alphamat Artcare Mounts provide art work with high quality protection from air and acid pollutants, as well as being 100% fade resistant and bleed proof.
+ FRAMING
I offer a range of glass-fronted frames in wood (Birch), and aluminium (Frosted Silver or Jet Black Polished). I have chosen these frames for their strength and quality, and because they perfectly complement the mountboards and balance my images.
+ OTHER MATERIALS
Besides these key components it is also worth noting that I use archival back boards to provide your print with further added protection, and when purchasing framed photography the mounts are secured using acid-free tape.
+ DELIVERY
Framed prints are made to order and will try and dispatch within 7 working days however this can be shorter or longer depending on workload. Ink need the time to properly set to the paper before being handled and this can take a few days.
All framed prints ship in a bespoke and secure packaging system via insured courier. I try to recycle cardboard ink within my packaging materials where I can to add to security to the shipment.