CHARLESTOWN LOCK GATE

Charlestown is a historic Cornish industrial harbour, made famous in recent years for being the filming location of the BBC series Poldark. I spent time there in the summer, looking to capture the place from lesser documented angles than those that attract the tourists.

Walking along the road that runs above the harbour, I chose this angle to capture the inner and outer harbours at high tide, with the coastline bending and curving its way into the distance. The concrete harbour walls and pedestrian walkway over the lock create horizontal lines across the shot, adding depth and segmenting the water into three elements.

 The inner harbour is continuously topped up and fed water via a sluice system. Using my neutral density filter, I was able to capture the white water feathering out into the inner harbour, and it helps to draw the eyes across the scene.

While the concrete structures and vivid red floats highlight the manmade features, there is a good balance with nature. The setting sun hitting the tree tops diverts the focus to the lush green coastline surrounding the port. The golden sunlight contrasts nicely with the dark waters of the harbour, sheltered in the cove as evening sets in.

Charlestown Lock Gate is a Cornish landscape portrait full of detail. From modern to historic, natural to industrial, it captures the essence of a place that has continued to develop and adapt to the passing of time.

 
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Charlestown Lock Gate
from £30.00
 

Certificate of Authenticity

Charlestown Lock Gate is a fine art landscape photograph with a limited run of 100 prints.

A Certificate of Authenticity will be supplied with every print after it has passed the Tide & Land quality check, numbered and signed.

Tide & Land photography prints are not massed produced, but are hand made to order, guaranteeing the best quality with every print.

Further Information

+ PRINTING

Each of my images is printed using an Epson SureColor SC-P800 Printer. This printer is designed to produce high quality professional prints using UltraChrome HD ink that gives a true-to-life finish. Shadows are notably crisp against the vibrancy of the colour palettes across all size ranges of my photography.


+ PAPER

I print my images on Innova Resin Coated Photo Metallic Gloss paper which works extremely well on the Epson SureColor SC-P800 Printer. This 260gsm photo paper has a natural white base tone that contains metallic pigments in its microporous coating. Not only does it provide a high gloss finish, the pigments offer an extra dimension of subtle colour shifts under changing light conditions, and is suitable for colour and greyscale prints.


+ MOUNTBOARDS

I use white mountboards with my photographs. Bainbridge Alphamat Artcare Mounts provide art work with high quality protection from air and acid pollutants, as well as being 100% fade resistant and bleed proof.

+ FRAMING

I offer a range of glass-fronted frames in wood (Birch), and aluminium (Frosted Silver or Jet Black Polished). I have chosen these frames for their strength and quality, and because they perfectly complement the mountboards and balance my images.


+ OTHER MATERIALS

Besides these key components it is also worth noting that I use archival back boards to provide your print with further added protection, and when purchasing framed photography the mounts are secured using acid-free tape.


+ DELIVERY

Framed prints are made to order and will try and dispatch within 7 working days however this can be shorter or longer depending on workload. Ink need the time to properly set to the paper before being handled and this can take a few days.

All framed prints ship in a bespoke and secure packaging system via insured courier. I try to recycle cardboard ink within my packaging materials where I can to add to security to the shipment.